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Italy, 2016 Directed by Edoardo De Angelis. Screenplay by De Angelis, Nicola Guaglianone, Barbara Petronio. Cast Angela Fontana, Marianna Fontana, Antonia Truppo. Aside from finally giving more than one Playlister an excuse to watch The Notebook, first love stories provide a neat complement to First Time movies, which we. A unique resource to the songs and music of Canadian singersongwriter Bruce Cockburn. Whether youre doing client work or creating a collectors series to sell on the likes of Society. But where do you start and what do you have to bear in mind Read on to find out how the pros do it. Find a focus. Find a good idea for a poster, or poster series like this one focused on cars in movies and youll already be halfway to a great designBehind a good poster should be a message or idea, says Jess Prudencio, the illustratordesigner behind the fantastic Cars and Films series of posters. It must communicate something and should reach everyone. One of my passions is movies, Prudencio explains. I saw that there were many people making alternative movie posters, he says, but I tried to give another approach. I wanted to create a series, which Im still working and I hope to grow, but not only legendary films, but also films that I admire and where cars are not as well known. Its a great example of a personal project that can generate some serious cash A3 prints are for sale for 2. Make an impactI like to follow the trends, but do not usually apply them to my designs, he adds. I like minimalist design and simple lines. If you want to know how to design a poster, then you can do no better than turn to the experts. With that in mind, weve quizzed three top illustrators and designers. American artist offering his music with option to donate. Tour details, news items, multimedia, and merchandise. I try to convey what I want with a few elements that make an impact and have a lasting message. In other words, before you design a poster make sure you have a good idea, so it will not only appeal to designers due to the aesthetics, but will also appeal to fans through the focus. Be consistent with details. Consistency of detail is key to a great poster design. Prudencios next piece of advice is especially important if youre doing a collectable series that details should be consistent. Im primarily a graphic designer so Im used to working with fonts, continues Prudencio. In the case of my Cars and Films project, the most important aspect was obviously was the car. I chose the same font for the titles of all the series for consistency. And I used a contrasting font for the detailed information accompanying the car. But for me, just as important as the font is the background color. The background colour I chose was based on what I felt the film symbolized and what would combine well with the other elements. Choose references carefully. Not going for the obvious choices will help your poster design stand outI saw that there were many people making alternative movie posters, he continues but I tried to give another approach. I wanted to create a series, which Im still working and I hope to grow, but not only legendary films, but also films that I admire and where cars are not as well known. My process for this project was as follows I did a sketch and then vectorised using Illustrator. My references were obviously the pictures of the cars and watching the the movie. I didnt go into too much detail analysing particular frames for example to see what was on the label hanging on the chair of the Mr Bean car. Its about balancing artistic interpretation with authenticity, in this case. Have fun, but be tight on the details. A sense of fun married by attention to detail is a powerful combination. Sam Gilbeys stunning illustration work particularly his recent painterly interpretations of film characters for the likes of Virgin Media have brought him much critical acclaim within the poster design world. He was recently commissioned by Picturehouse Cinemas to design and illustrate a poster to promote a 9. Die Hard With a Vengeance, Speed, The Last Boy Scout and Con Air, as part of the Scala Beyond season, at the Duke of York cinema in Brighton. Originally I was planning to do a collage style piece, featuring the protagonist from each film, but this was scuppered by the fact that Bruce Willis in the star of both Die Hard With a Vengeance and The Last Boy Scout, he explains. I then remembered reading once that Under Siege, the Steven Seagal vehicle, actually began life as a Die Hard script. Basically the wise cracking heroes and antiheroes of so many action films, and especially from that era, are pretty interchangeable. I love the genre, and in way thats part of the fun, but I then figured it would be fun to illustrate this literally, and have an action figure with interchangeable heads. Factually correctWhen creating an image like this, with such a clear inspiration point, its all about having fun with it, but making sure there are plenty of interesting and factually correct details in there, he continues. For instance, I included the actual guns from the films as accessories, and of course the Con Air bunny had to be in thereFor a promotional piece such as this aimed at true fans of a genre, its a great idea to put some in jokes in there thus confirming the fans knowledge and giving them a bit of a chuckle at the same time. Balance the composition. Use a grid to ensure everything is visually balancedThe core skill is learning how to balance a composition, and looking at how the viewers eye will ideally bounce around the image, rather than being taken out of it, adds Gilbey. Thats no different to creating any other artwork, but if youre including type as well, then the challenge to weight everything just right can be tougher. Use a grid wherever theres a significant amount of type to include, Other than that, its about finding your own style, and then within that, trying to find a way to tell a bit of a story with your image. Balance type and images but sometimes go crazyYou need to know the rules. Then you can break the rulesBalancing the type and images is essential in that first up you want people to notice the image, continues Gilbey. But then, if the actual event is of interest, the info needs to be easy to understand too. Of course restraint with type is normally advisable, but in this case it was time to let loose. That said, its all set in Garage Gothic, so its only the style that varies for the different areas of info. Mix up your typography. Mixing fonts is tricky, but can give great results if you pull it off. Radim Malinic is one of the UKs best known and established creative forces. With clients including Acer, Arts Council England, BBC and The London Film Museum, he is known for his incredible use of colour and composition and his straining photo montage work, but turns his hand to just about anything. Matlab 64 Bit Linux Free Download here. He recently completed this stunning poster to promote the designers talk at Montreal Meets 2. This was a personal piece to promote the debut of my latest talk When Worlds Collide, says Radim. I wanted to do kinda of a gig poster, which was only available on the daynight of the event at Montreal Meets Three. TypographyEver since Id discovered the font Graphik, I wanted to use it and this was the right opportunity, adds Radim. Graphik possesses a beautiful combination of boldness and elegance. To illustrate the contrast, I used SF Movie Poster a free font from dafont. Then it was a question of mixing the two fonts to find the right result. Be playful but considered is the message here. Spend a day with it. Go back to your design later and youll see it in a new lightEven though deadlines can be pretty tough, it always pays to spend a day with the design, Radim continues. The Cockburn Project Bruce Cockburn online.